Use generative tools for selected corporate visuals without surrendering composition, brand consistency or source-asset discipline.
Brand Design Lead · Hong Kong
04 / Hong Kong Ferry Group
HKF Group: A Controlled GenAI Production Workflow
2026
Creative Designer · Workflow & Compositing

Project in brief
A controlled GenAI workflow from source assets to reviewed output.
A controlled ComfyUI and Flux workflow that uses locked compositions, masked source assets and human review to make generative production more dependable.
Designed the workflow and handled compositing, manual refinement, brand review and handoff for a selected-task production test.
The Production Problem
Corporate image work often begins with fixed architecture, approved source objects and a composition that cannot drift. Unconstrained generation can produce attractive images quickly, but it is unreliable when placement, brand detail and repeatability matter.
I designed a controlled ComfyUI and Flux workflow that locks the composition before generation, uses masked source assets, and keeps manual review at every decision point. The workflow was tested for selected tasks; it is not presented as a company-wide deployment.
HKF group brand-family chart showing major subsidiaries and service brands.
Input, masking and layout-control nodes.
Controlled Workflow
Composition Lock
The composition is built first. Environment photography and approved reference objects are placed with spatial masks so scale, position and the main perspective are established before model processing.
This reduces random variation and gives the designer a more predictable base for subsequent lighting, reflection and material work.
Flux image-to-image API parameters and synthesis node.
Synthesis & Post-Production
Flux image-to-image processing helps harmonise the prepared objects with the environment while the original layout remains anchored. Selected outputs are then upscaled, sharpened and manually retouched for final review.
A watermarking stage can support internal identification before handoff, but it is treated as an additional control—not a replacement for permissions, file governance or legal review.
Upscale-model node and post-processing settings.
Image-watermark node and asset-tracking control.
Inputs to Reviewed Output
The test combines an interior corridor, placement guides and a mechanical-clock reference. Masking establishes where the new object belongs; image-to-image processing resolves the surrounding light and material relationships.
The reviewed output demonstrates the value of the sequence: the model assists integration, while composition, scale, brand suitability and final quality remain designer-led.
The result is a repeatable production path with clear inputs, review points and handoff stages—not a one-click image generator.
Original HKF environment photograph with red placement boundaries.
Reference / site drawing used for placement and scale.
Close-up reference photograph of the large clock face.
Harbour Cruise Bauhinia / component reference image.
Final composited environmental panel with inserted clock element.
Why the Workflow Matters
The project reframes GenAI as one controlled stage within a larger design workflow. Its value comes from locked inputs, deliberate review and accountable handoff.
For selected corporate visual tasks, that structure can accelerate exploration without giving up composition control, source-asset discipline or human quality decisions.
Supplementary concept development
HKF brand-film storyboard and technical direction
The following planning tables document the proposed sequence, camera movement, sound and copy. They are shown as concept development; no final film was located in the source material.
HKF brand-video storyboard table 1
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:00-0\:02 | 全黑畫面 | Static | 低頻船舶引擎聲漸強 (Ship Engine Rumble) | - |
| 0\:02-0\:05 | 數字 "1923" 從黑暗中浮現,金屬質感,反光效果 | Slow Zoom In | 引擎聲持續 + 金屬共鳴音 | "1923" (字卡) |
HKF brand-video storyboard table 2
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:05-0\:06.25 | 黑白舊照片:1920年代的渡輪停泊維港 | Push In | 配樂進入 (低沉弦樂) | - |
| 0:06.25-0:07.5 | Match Cut 到現代汽車渡輪側面 (彩色),相同角度 | Static | 弦樂漸強 | - |
| 0:07.5-0:08.75 | 船廠內工人焊接特寫,火花四濺 (Macro Lens) | Slow Motion | 焊接「滋滋聲」+ 金屬碰撞 | - |
| 0:08.75-0:10 | ISO 9001 認證標誌特寫,反光金屬邊框 | Slow Zoom In | 「叮」確認音效 | "ISO 9001 since 2006" (字卡) |
HKF brand-video storyboard table 3
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:10-0\:12 | HKF 香港小輪集團 Logo 浮現 (Liquid Morph 動畫) | Static | 船笛聲 (Ship Horn) 短促 | "HKF Group 香港小輪集團" (字卡) |
HKF brand-video storyboard table 4
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:12-0\:14 | Drone 航拍:從維港海面升起,俯瞰北角碼頭全景 | Drone Rise + Tilt Down | 海浪聲 + 弦樂轉為輕快節奏 | - |
| 0\:14-0\:16 | 碼頭指示牌特寫:「汽車渡輪」、「洋紫荊維港遊」 | Slow Pan | 木板走道的腳步聲 | "North Point Ferry Pier 北角碼頭" (Text Overlay) |
| 0\:16-0\:18 | POV:從碼頭入口走向停泊的洋紫荊維港遊船 | Gimbal Walk | 環境音 (遠處談話聲) | - |
| 0\:18-0\:22 | 登船走道,角色 (西裝上班族/家庭) 走上洋紫荊登船梯 | Follow Shot (Gimbal) | 腳步聲 + 船身金屬共鳴 | VO: "每一天,從信賴開始。" |
HKF brand-video storyboard table 5
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:22-0\:24 | Match Cut:從走道光線 → 船內暖光餐廳 | Cut on Light | 音樂轉暖 (溫柔弦樂) | - |
| 0\:24-0\:26 | 賓客用餐、舉杯碰撞特寫 (淺景深) | Slider Move (Left to Right) | 餐具碰撞 + 笑聲 (環境音) | - |
| 0\:26-0\:28 | 舞池有人跳舞,背景窗外維港夜景 | Slow Zoom Out | 音樂漸強 | - |
| 0\:28-0\:30 | 從船內窗戶望出去,看到隔壁停泊的汽車渡輪 (建立空間關係) | Push In to Window | 幻彩詠香江激光掃過 (視覺) | "洋紫荊維港遊 海上宴客領導者" (Text Overlay) |
HKF brand-video storyboard table 6
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:30-0\:32 | Match Cut:從洋紫荊窗戶 → 汽車渡輪甲板危險品標誌 (Hazard Placard) 菱形警告牌特寫 (易燃/腐蝕符號) | Macro Close-Up → Zoom Out | 音樂轉為低頻工業感 + 倒車警報「嗶嗶嗶」 | - |
| 0\:32-0\:33 | 危險品運輸車緩緩駛上渡輪 (俯拍 Overhead Shot) | Drone Top-Down | 金屬跳板的沈重「咚咚」聲 + 引擎低頻 | VO: "運載別人不敢載的。" |
| 0\:33-0\:35 | 船員專業操作蒙太奇 (3 個快速鏡頭):1. 船員手持檢測儀掃描車輛 (綠燈亮起)2. 船員對講機通話 (表情專注)3. 繩索固定車輛細節 (Macro) | Static → Static → Macro Close-Up | 檢測儀「嗶」聲 + 對講機雜訊 + 繩索拉緊「嘶嘶」聲 | - |
| 0\:35-0\:37 | Split Screen (分割畫面):左: 其他渡輪「禁止危險品」紅色叉叉標誌右: HKF「危險品專用通道」綠色勾勾標誌 | Static (Motion Graphics) | 電子音效「叉叉」vs「勾勾」 | "香港唯一 危險品車輛渡輪服務" (Text Overlay, Bold) |
| 0\:37-0\:38 | ISO 9001 證書特寫 → 轉為 3D 金屬徽章旋轉 (Cavalry Animation) | 3D Rotation (CG) | 「叮」確認音 + 金屬質感音效 | "ISO 9001 零事故記錄" (Text Overlay) |
HKF brand-video storyboard table 7
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:38-0\:40 | Match Cut :從渡輪船體的「焊接線」特寫 → Cut 到船廠內「焊接火花」(相同金屬質感) | Macro Close-Up → Match Cut | 金屬共鳴音延續 → 焊接「滋滋」聲爆發 | - |
| 0\:40-0\:42 | 焊接火花慢動作 (Slow Motion, 240fps) | Macro Lens, Slow Motion | 火花「啪啪」聲 (ASMR 質感) | - |
| 0\:42-0\:44 | 船廠精密度蒙太奇 (3 個快速鏡頭):1. 工人手持工具測量船體 (Macro)2. 船體塗裝噴漆瞬間 (顏料霧化)3. 引擎零件組裝特寫 (金屬光澤) | Macro → Macro → Macro | 測量儀「滴」聲 + 噴漆氣壓聲 + 金屬組裝「咔噠」聲 | VO: "從建造到守護。" |
| 0\:44-0\:46 | Wide Shot:從船廠內部往外看,看到停泊的渡輪 (洋紫荊或汽車渡輪) 正在維修 | Slow Dolly Out | 工業環境音 (遠處機械聲) | - |
| 0\:46-0\:48 | 船廠牆上 ISO 證書、安全標語、船員培訓教室快速閃過 (3 個鏡頭各 0.66 秒) | Quick Cuts | 紙張翻動聲 + 教室粉筆聲 | "香港船廠 百年船務專業" (Text Overlay) |
HKF brand-video storyboard table 8
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:48-0\:49 | AMOUR 診所極簡白色空間,柔和粉金光線灑入 | Slow Push In | 音樂轉為柔和電子音 + 輕呼吸聲 (ASMR) | - |
| 0\:49-0\:50 | 療程儀器的漸變光 (粉色→金色) 特寫 (Macro) | Macro, Gradient Animation | 儀器輕微「嗡嗡」電子音 | - |
| 0\:50-0\:51 | 鏡中女性的微笑特寫 (淺景深,鏡像對稱構圖) | Static, Symmetry | 輕嘆氣聲 (放鬆) | "AMOUR 肌膚覺醒" (Text Overlay) |
| 0\:51-0\:52 | Total HealthCare 診所,三代家庭 (爺爺、父母、小孩) | Slider Move | 音樂轉為溫暖弦樂 | - |
| 0\:52-0\:54 | 醫生與小孩互動,爺爺在旁微笑 (握手特寫) | Slow Zoom In on Hands | 環境音 (談話聲) | "全面醫護 守護大灣區" (Text Overlay) |
HKF brand-video storyboard table 9
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:54-0\:55 | 船廠工人戴手套焊接 (手部特寫) | Macro Close-Up | 配樂昇華 (弦樂 + 鋼琴) | VO 開始: "從建造到守護," |
| 0\:55-0\:56 | 船長握舵 (手部特寫) | Macro Close-Up | 舵輪轉動的「咯咯」聲 | - |
| 0\:56-0\:57 | 洋紫荊廚師擺盤 (手部特寫) | Macro Close-Up | 盤子輕放「咔」聲 | - |
| 0\:57-0\:58 | 療程師輕撫客人肌膚 (手部特寫) | Macro Close-Up, Slow Motion | 輕柔的布料摩擦聲 | VO: "從維港到每一刻," |
| 0\:58-0\:60 | 醫生握病人手 (手部特寫) | Macro Close-Up | 握手「啪」的輕聲 | - |
HKF brand-video storyboard table 10
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:60-0\:63 | Drone 航拍:黃昏維港,鏡頭拉高,同時看到北角碼頭的汽車渡輪或洋紫荊停泊 | Drone Rise (Ascending) | 船笛聲漸強 + 配樂達到高潮 | VO: "我們承載的,始終是信任。" |
HKF brand-video storyboard table 11
| 時間碼 | 畫面描述 | 鏡頭運動 | 音效/配樂 | 文案/VO |
|---|---|---|---|---|
| 0\:63-0\:70 | 5 個業務 Logo 依序浮現 (Cavalry Liquid Morph 動畫):1. 香港船廠2. 汽車渡輪3. 洋紫荊維港遊4. AMOUR5. Total HealthCare→ 融合為 HKF 集團 Logo | Logo Animation (Morphing) | 每個 Logo 出現配「叮」聲,最後融合配「轟」低頻 | - |
| 0\:70-0\:75 | 維港全景 + HKF Logo 居中 | Slow Zoom Out | 船笛聲作為 Sonic Logo 結尾 (長音 3 秒) | "百年守護,從建造到生活""Crafted to Care, Since 1923"www.hkf.com |
HKF brand-video storyboard table 12
| 項目 | 規格 | |||
|---|---|---|---|---|
| 總長度 | 75 秒 | |||
| 長寬比 | 16:9 (官網/YouTube) or 9:16 (IG Reels/TikTok) | |||
| 分辨率 | 4K (3840×2160) | |||
| 幀率 | 24fps (電影感) / Slow Motion 片段 240fps | |||
| 色調 | Teal & Orange (電影級調色) + 各業務專屬色調 | |||
| 字體 | 無襯線粗體 (Sans-serif Bold),金屬質感 | |||
| Drone 需求 | 3 個航拍鏡頭 (0\:12-0\:14, 0\:36-0\:38, 0\:60-0\:63) | |||
| Gimbal 需求 | 碼頭走道跟拍 (0\:16-0\:22) | |||
| Macro Lens | 焊接、火花、手部特寫 (10+ 鏡頭) | |||
| Motion Graphics | Cavalry (Logo 動畫、Split Screen、Gradient) | |||
| Sound Design | 客製化混音 (船笛、焊接、海浪、儀器音效) |